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In recent years, along with the growth in documentation that characterises our society, we have witnessed the rise of the non-fiction narrative genres, which have extended their domain to territories that are historically unconcerned with the representation of reality. Comics is one of them, and its authors are frequently forced to look for original solutions to old problems.
The analysis of these comic-books involves a reflection on the problem of distance close, not close, distant, not distant from their source and the reality, a central issue in any historical, journalistic or documentary narrative.
Applying the analytical tools of structural semiotics and of the historiography of present times, this article illustrates the complex strategy of getting close and moving away carried out by Igort with the purpose of representing a specific reality.
At the same time, it argues some theoretical issues concerning the use of witnesses, testimonies, and documents among the disciplines that aspire to narrate historical or cultural reality. Massachusetts: Harvard University Press. En: C. Historiographies, I. Revista de Occidente, , Madrid: Gredos. Documentary Comics. Graphic Truth-Telling in a Skeptical Age.
Londres: Palgrave MacMillan. En: T. The texts published in this journal are — unless indicated otherwise — covered by the Creative Commons Spain Attribution 3.
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Article Tools Print this article. Indexing metadata. How to cite item. Finding References. Email this article Login required. Email the author Login required. Distancies from Reality. Abstract In recent years, along with the growth in documentation that characterises our society, we have witnessed the rise of the non-fiction narrative genres, which have extended their domain to territories that are historically unconcerned with the representation of reality.
Keywords semiotics; distance; comics; document; witness; Igort. Issues in Contemporary Documentary. Cambridge: Polity Press. Evidencia de la historia. IGORT Pagine nomadi. Bolonia: Coconino Press. Madrid: Ariel. Buenos Aires: Eudeba. Madrid: Alianza. Introduction to Documentary. Bloomington: Indiana University Press.
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